Wednesday, March 31, 2010
"Ich liebe es..."
Monday, March 29, 2010
Mass at the Salzburger Dom
Sunday, March 28, 2010
We're here..finally!
Sunday, March 14, 2010
Beloved and Loss
Since the dawn of the first slave trade, African-Americans have experienced loss. Coming to the New World from a faraway land and brought against their will, they were forced to set aside their own language and culture and dedicate their lives to serving white men. Because of this, a large part of their culture and civilization, not to mention their individual dignity and self-respect, has been greatly compromised. In Toni Morrison’s novel Beloved, the main characters confront their ancestors’ legacy of loss through their own experiences with losing what is dear to them. Throughout the novel, loss of name, loss of family bonds and loss of identity define the main characters; however, they learn to overcome loss and accept it as a part of their lives.
It is apparent from the beginning of the novel that the main characters in Beloved have unusual names. As the story unfolds, the reader is told more about the origin of each character’s name and why it is important to his or her history. For instance, Baby Suggs, who is called Jenny by Mr. and Mrs. Garner, does not realize that Jenny is her real name, but rather, identifies herself by what her former husband always called her: Baby. Also, over half of the slave men at Sweet Home are named Paul, reinforcing the general lack of individuality that comes with a slave life. When Sethe’s oldest daughter is born, she goes until her death, which is at least at nine months of age, without a proper name. The small child is not given a name until Sethe must have one engraved on the headstone, and chooses, “Beloved.” A name is something personal and special, something that often defines a person in society. By keeping the real names of their slaves ambiguous, slave owners are able to downplay the slaves’ humanity and individuality. The one character who is very deliberately named is Denver, but she, too, gets her name from a white person: the young white girl who helped Sethe deliver her baby in a canoe. The loss of name individuality in this novel serves as an underlying reminder that the lives of the main characters have not been their own, but have been controlled since birth by white members of society who see them as inferior and unable to make important life decisions for themselves.
Apparent from the beginning in this book is the fact that slavery and its immediate aftermath have split up the families of the main characters. Baby Suggs lost track of seven of her eight children when they were sold off of her plantation. Sethe’s two young boys have run off, although the reader later finds out that they left out of a sense of fear. Sethe herself never truly had a relationship with her own mother, who was hung when she was a small child. In her article “Beloved and the Problem of Mourning,” Heffernan talks about the collective “lost” and the difficulty that it creates for the family structure. “How do we read the story of the ‘unaccounted for?’ Morrison’s novel is a testament to this untranslatable loss, a loss that is embodied in Beloved, and that explains, in part, why Sethe cannot tell her story.” (Heffernan, 561) The most glaring example of a disregard to family bonds comes when a fourteen-year-old Sethe wishes to be properly married to Halle. She hopes to have a minister conduct a ceremony, and perhaps have a small dinner to celebrate, but Mrs. Garner does not allow her any legal or religious recognition of the marriage; Sethe simply moves into Halle’s cabin. At the time in America, marriage was a privilege central to good morality. Men and women were not supposed to sleep together before they were married in a proper ceremony, and it was considered shocking if they did. Mrs. Garner’s astonishment at Sethe’s request to make things honorable is further proof that these slaves were not seen as true human beings, but rather, seen as objects incapable of feeling emotion or celebrating normal rites of passage. With little or no family bonds, the main characters in this book are weaker and less able to confront the world. Relationships in their lives are transient from the beginning; because of slave trades they are unable to form strong support systems with blood relatives and friends. However, in some ways, this story is a testament to humanity, and shows that people will form meaningful bonds, even when their life circumstances make it very difficult. For instance, although she lost Halle, Sethe continues a good relationship with Baby Suggs and Denver at 124.
In Beloved, the characters not only experience a loss of name and a loss of familial bonds, they experience an overwhelming loss of humanness. One of the most defining moments in Sethe’s life is when she hears the schoolteacher describing her “animal characteristics” to one of his pupils. She never forgets that and is constantly reminded that through the eyes of her white owners, she is not seen as a true person. However, because the Garners are relatively benevolent, Sethe is sent mixed messages throughout the novel, such as the time when Mrs. Garner gives her the crystal earrings. The crystal earrings are very important to the novel, because they continue to stand for the one shred of humanity that Sethe feels she can keep for herself. Nevertheless, Sethe is assaulted and mistreated by the schoolteacher’s men while she is pregnant and realizes that she will never truly be free. This revelation is part of what drives her to commit infanticide when she comes to 124. Because she feels that her child will never have a sense of humanity or identity in the world, she is able to more easily kill her. This revelation is perhaps very similar to how her mother felt, when she killed every baby she had by a member of the crew that took her from Africa. In this novel, African-Americans are taught early that their lives do not mean as much as the lives of white people. This brings them to take drastic actions in order to prevent their children from having the same fate. In his article “The house the ghost built: Nommo, allegory, and the ethics of reading in Toni Morrison’s Beloved,” Handley suggests that the loss of Beloved (and her humanity) represents the deeper, more collective loss of the African-American people, as they were taken from their homelands, stripped of their traditions, and brought to the New World as slaves. “The figure of Beloved is Morrison’s attempt to figure a lost child, to fill the incalculable, metaphysical space inaugurated by the historical facts of loss during the Middle Passage and slavery. But as the section that serves as Beloved’s narrative autobiography shows us, her story is constituted as much by loss as by presence, much as silent rests are constitutive of music.” (Handley, 686-687)
In spite of these deeply scarring and life-changing losses of identity, the main characters in this book, particularly Denver, Sethe, and Baby Suggs, find ways to deal and cope with loss, particularly as it relates to death. In Dobbs’ article “Toni Morrison’s Beloved: Bodies Returned, Modernism Revisited,” she explores this theme, citing a conversation that Sethe and Denver have early in the novel. “Denver says, ‘If it’s still there, then it must mean that nothing ever dies,’ to which Sethe replies, ‘Nothing ever does.’ Given the haunting of 124 and the return of Beloved in the flesh, Sethe’s denial of death seems to commensurate with the world that Morrison invents.” (Dobbs, 568) In this passage, Denver is speaking of the ghost of Beloved. Dobbs believes that mourning, loss, and memory are central to the novel’s themes, and through the living ghosts, the pain of loss is slightly alleviated. The return of Beloved, although for a relatively short time, is what ultimately brings closure to Sethe’s crime and loss. She experiences what Baby Suggs knew toward the end of her life, that there is a world after death, that spirits live, and that in the end, there is a way to redeem oneself.
Loss holds the main characters in this book captive because it is all they have ever known. Therefore, it is an emotion that is multifaceted and manifests itself in many different ways throughout the course of the novel. Loss of name and loss of familial bonds lead to the much more serious loss of humanness and identity. Without a true sense of value for human life, the main characters find it difficult at times to love and care for one another emotionally. They were never encouraged to be human. Through Beloved’s return, Sethe and Denver are reassured that there is life on the other side. When Beloved leaves at the end of the novel, Sethe is once again left with a feeling of emptiness, and wonders if Beloved was really ever there at all. However, it is clear that Beloved’s short time with Sethe and Denver brought closure to and broke the chains of an old loss. For the first time, through dealing with her death, return, and eventual departure, Sethe and Denver will be able to finally live and love as human beings.
